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Alma-Tadema, Sir Lawrence Jean-Leon Gerome,The Death of Caesar (mk23) oil painting


Jean-Leon Gerome,The Death of Caesar (mk23)
Painting ID::  22985
Alma-Tadema, Sir Lawrence
Jean-Leon Gerome,The Death of Caesar (mk23)
1867 Oil on canvas,85.5 x 145.2 cm(33 5/8 x 57 1/8 in)Walters Art Gallery,Baltimore

   
   
     

Alma-Tadema, Sir Lawrence Self-Portrait (mk23) oil painting


Self-Portrait (mk23)
Painting ID::  22986
Alma-Tadema, Sir Lawrence
Self-Portrait (mk23)
1896 Oil on canvas,65.7 x 52.8 cm(25 7/8 x 20 3/4 in) Uffizi Florence

   
   
     

Alma-Tadema, Sir Lawrence Frederic Leighton (mk23) oil painting


Frederic Leighton (mk23)
Painting ID::  22987
Alma-Tadema, Sir Lawrence
Frederic Leighton (mk23)
Self-Portrait 1880 Oil on canvas,76.5 x 64.1 cm(30 1/8 x 25 1/4 in) Uffizi,Florence

   
   
     

Alma-Tadema, Sir Lawrence The Conversion of Paula by Saint Jerome (mk23) oil painting


The Conversion of Paula by Saint Jerome (mk23)
Painting ID::  22988
Alma-Tadema, Sir Lawrence
The Conversion of Paula by Saint Jerome (mk23)
1898 Oil on wood,53.5 x 111.8 cm(21 x 44 in) Private collection

   
   
     

Alma-Tadema, Sir Lawrence Thermae Antoninianae (mk23) oil painting


Thermae Antoninianae (mk23)
Painting ID::  22989
Alma-Tadema, Sir Lawrence
Thermae Antoninianae (mk23)
1899 Oil on canvas,152.5 x 95 cm(60 x 37 3/8 in) Private collection

   
   
     

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     Alma-Tadema, Sir Lawrence
     b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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